"... the
effect of bringing the existing ceiling ducts into the exhibiting
space as 'a work', and reducing their dominance of the space by giving
them equal status with the artwork in the gallery. This has obvious
implications as a metaphor for one of the basic goals of feminism,
as well as trying to free the space from the cramping effects of the
ducts." Parts
of Mikala Dwyer's Broken Line and Kate Bennan's Things are
shown on the left and right.
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